Wednesday, 10 October 2012

Sebastian's voodoo(powerpoint)

The effect of this mid shot is that it helps the viewer to follow the eye direction of the doll.     It also helps the character to see the emotion of the character. It also shows the body language of the doll. It's making it's hands do a sort of a shape that shows the fact that he feels strong. But at the same time it also looks likes he's putting his hands on the hips to make it look like he's asking himself "what can I do".






  This is a long shot and it's effect is to help the viewer know more about the surroundings and it helps show the viewers where the movie is taking place. The image shows a sort of rusty place which indicates that he is poor. It also shows the dolls in a line looking confused. The image shows Sebastian looking raggedy, bony and evil because he is about to stick a pin in the doll. this indicates to the audience that this is a bad person and that they should be scared.



This is a high angle shot. A high angle shot can have a reverse effect of a low shot. The character photographed by a camera above the characters eye level will appear small, weak or vulnerable. This makes the viewer feel sympathy or pity for the character. In this shot it shows Sebastian's dirty and bony fingers sticking a pin in the doll. The high angle is making the doll seem powerless. it also makes the audience feel like they are the one sticking the pins in the doll.


This is a an eye level shot.  eye level shots are the most common camera angle, both in still photographs and in movies. The photographer positions the camera at the level of the subject or at the average human eye level. This angle calls less attention to the camera's presence and may make the viewer feel like she is in the same space as the subject, confronting it directly. In this shot it shows the voodoo doll and it's friend looking at each other. this makes the viewer feel like he/she is the voodoo doll looking at the friend and trying to work out what to do.

                     
                   
This is an extreme close up. it gives the audience a detailed view of the most important or action within a scene. Extreme close ups also help to build the viewer's interest in the film. The extreme close up is used to move the scene. It eliminates non-essentials or isolates a significant incident. In this shot the character is about to stick  pin in it's chest, it makes the viewer feel like the pin is being stuck in him and not the doll.


               




             

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